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That's all we ate - shrimp. We were stranded. There was no TV, no radio, no American papers. The only way we knew what was going on away from the location was by telephone.
The artist Lilly Fenichel served as the film's art director. Scared of the boats, scared of the explosions, of the gunshots.
I'd look at him between takes and he'd be like this [crouching with hands over his head]. But the bedroom scene with the three of us was so beautifully done.
I remember going to rushes and saying, "This is going to be a winner - it really works. Nobody knew what was happening and you didn't care for the characters.
In the original script, the two male leads were killed by government agents and the final scene happened ten years later with Liza Minnelli's character married to a boring businessman remembering the men she once loved.
The writers said when they sold it, "The studio loved the script, and at that point no one objected to the ending.
We worked backwards from that. To us, the romance of the piece was in the idea of separation and loss. Because the film was booked in for a Christmas release, Donen only had three months to edit the film.
During this time Donen became concerned about the ending, feeling that the film had become much lighter than originally intended, and tried several different ones, including simply cutting off the final ten minutes.
He eventually decided the film needed a happy ending and Fox agreed to finance a reshot scene. Huyck and Katz wrote the new ending, albeit reluctantly.
But instead of making it the story of this woman, Stanley has made it a story of three people. That's valid. It's just different from what we originally intended.
Garth Wigan, a Fox executive at the time, later recalled, "We previewed the movie nine times. The 2-hour, minute version was wonderful.
Burt Reynolds and Liza Minelli died at the end and everything was set up for them to die. But market research told us they shouldn't die, so we started chopping a bit here, a bit there.
We took the seriousness out. The only good preview we had was when the film broke, and Stanley Donen, the director, did a dance for the audience while it was being spliced.
It was decided that the new ending was not suitable, in part due to poor make up. So a third ending was used, which cut off the last ten minutes of the film.
Minnelli later criticized Donen for taking "out the part that made you feel like the three of us are in peril. I saw the finished picture and I never once was afraid for us.
Most of the serious moments were removed too. Reynolds and Minnelli both criticized the new ending, requesting that the studio show the three different endings to the press.
Donen refused and since he had final cut the studio backed him. Donen called Minnelli an "emotional child" for this criticism.
Roger Ebert gave the film 2 stars out of 4 and called it "a big, expensive, good-looking flop of a movie; rarely is so much effort expended on a movie so inconsequential.
This is difficult to understand, considering the people who are involved. Murphy of Variety called the film "strident, forced hokum. Stanley Donen's film caroms from one sequence to another with pointless abandon This is a major disappointment.
Apparently the filmmakers believed that the public would be sufficiently impressed with the antics of Gene, Liza, and Burt that it wouldn't care if the story made sense.
The movie we actually see is a cynical, vulgar, contrived, mismated, violent, uneven and uninteresting disaster.
Despite all the big-time reputations involved, class is the last word that would spring to mind while one was watching the film.
A month before the release of the film, Bantam Books issued a tie-in novelization of the screenplay by historical fiction writer Cecelia Holland under the pseudonym "Julia Rood.
From Wikipedia, the free encyclopedia. Theatrical poster by Richard Amsel. Release date. Running time. Film Comment; New York Vol.
The Christian Science Monitor 24 Dec Box Office Mojo. Retrieved January 22, Los Angeles Times 29 Aug k1. Los Angeles Times 29 June t1.
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